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tweaking cv and bio

master
Michael Winter 2 months ago
parent
commit
e205c65125
3 changed files with 6 additions and 2 deletions
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      README.txt
  2. +1
    -1
      views/cv.template
  3. +3
    -1
      views/index.jade

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README.txt View File

@@ -34,6 +34,7 @@ docker-compose up -d
# NEXTCLOUD
# update nextcloud since the dbs were initialized to handle 4-byte characters
docker exec -it mariadb mysql -u root -p
use nextcloud;
set global innodb_file_format=Barracuda;
set global innodb_large_prefix=on;
ALTER DATABASE nextcloud CHARACTER SET utf8mb4 COLLATE utf8mb4_general_ci;
@@ -56,6 +57,7 @@ mongorestore --host localhost --port 27017 -d unboundedpress -u username -p pass
# here is an example of a file upload:
curl -v -u user:pass -X POST -F 'properties={"filename":"filename"}' -F "file=@filepath_here" https://restheart.unboundedpress.org/unboundedpress/scores.files
# TODO: example of mongodb dump
mongodump --host localhost --port 27017 -d unboundedpress -o /backup/db_dump_2020_03_30 -u username -p password --authenticationDatabase admin
# TODO: examples of the nextcloud and gitea dump and restore
# TODO: maybe try to add some kind of caching
# TODO: consider making mongodb a replica set

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views/cv.template View File

@@ -65,7 +65,7 @@
<p>
My work often explores simple processes where dynamic systems, situations, and settings are defined through minimal graphic- and text-based scores that can be realized in a variety of ways. To me, everything we experience is computable. Given this digital philosophy, I acknowledge even my most open works as algorithmic; and, while not always apparent on the surface of any given piece, the considerations of computability and epistemology are integral to my practice. I often reconcile epistemological limits with artistic practicality by considering and addressing the limits of computation from a musical and experiential vantage point and by collaborating with other artists, mathematicians, and scientists in order to integrate objects, ideas, and texts from various domains as structural elements in my pieces.
</p><p>
I have performed across the Americas and Europe at venues ranging in size from small basements to large museums to outdoor public spaces (some examples of more well known festivals and venues include REDCAT, Los Angeles; the Ostrava Festival of New Music; Tsonami Arte Sonoro Festival, Valparaiso; the Huddersfield New Music Festival; and Umbral Sesiones at the Museo de Arte Contemporáneo, Oaxaca). In 2008, I co-founded <em>the wulf.</em>, a Los Angeles-based organization dedicated to experimental performance and art. As a laboratory and hub for exploring new ideas, <em>the wulf.</em> has become an experiment in alternative communities and economies. Similarly, my work subverts discriminatory conventions and hierarchies by exploring alternative forms of presentation and interaction.
I have performed across the Americas and Europe at venues ranging in size from small basements to large museums to outdoor public spaces (some examples of more well known festivals and venues include REDCAT, Los Angeles; the Ostrava Festival of New Music; Tsonami Arte Sonoro Festival, Valparaiso; the Huddersfield New Music Festival; and Umbral Sesiones at the Museo de Arte Contemporáneo, Oaxaca). From 2018 to 2019, I was a fellow / artist-in-residence at the Akademie Schloss Solitude in Stuttgart, Germany. In 2008, I co-founded <em>the wulf.</em>, a Los Angeles-based organization dedicated to experimental performance and art. As a laboratory and hub for exploring new ideas, <em>the wulf.</em> has become an experiment in alternative communities and economies. Similarly, my work subverts discriminatory conventions and hierarchies by exploring alternative forms of presentation and interaction.
</p>
</div>
</div>

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views/index.jade View File

@@ -14,6 +14,8 @@ block content
a#eventsbutton(class='scroll-to-div', href='#events', data-target='events') events
li
a#aboutbutton(class='scroll-to-div', href='#about', data-target='about') about
li
a(href='https://gitea.unboundedpress.com/', target='_blank') code
div#gallery.header-section
div.header-inner
@@ -112,7 +114,7 @@ block content
h3#abouthead about
div#aboutme
p My work often explores simple processes where dynamic systems, situations, and settings are defined through minimal graphic- and text-based scores that can be realized in a variety of ways. To me, everything we experience is computable. Given this digital philosophy, I acknowledge even my most open works as algorithmic; and, while not always apparent on the surface of any given piece, the considerations of computability and epistemology are integral to my practice. I often reconcile epistemological limits with artistic practicality by considering and addressing the limits of computation from a musical and experiential vantage point and by collaborating with other artists, mathematicians, and scientists in order to integrate objects, ideas, and texts from various domains as structural elements in my pieces.
p I have performed across the Americas and Europe at venues ranging in size from small basements to large museums to outdoor public spaces (some examples of more well known festivals and venues include REDCAT, Los Angeles; the Ostrava Festival of New Music; Tsonami Arte Sonoro Festival, Valparaiso; the Huddersfield New Music Festival; and Umbral Sesiones at the Museo de Arte Contemporáneo, Oaxaca). In 2008, I co-founded <em>the wulf.</em>, a Los Angeles-based organization dedicated to experimental performance and art. As a laboratory and hub for exploring new ideas, <em>the wulf.</em> has become an experiment in alternative communities and economies. Similarly, my work subverts discriminatory conventions and hierarchies by exploring alternative forms of presentation and interaction.
p I have performed across the Americas and Europe at venues ranging in size from small basements to large museums to outdoor public spaces (some examples of more well known festivals and venues include REDCAT, Los Angeles; the Ostrava Festival of New Music; Tsonami Arte Sonoro Festival, Valparaiso; the Huddersfield New Music Festival; and Umbral Sesiones at the Museo de Arte Contemporáneo, Oaxaca). From 2018 to 2019, I was a fellow / artist-in-residence at the Akademie Schloss Solitude in Stuttgart, Germany. In 2008, I co-founded <em>the wulf.</em>, a Los Angeles-based organization dedicated to experimental performance and art. As a laboratory and hub for exploring new ideas, <em>the wulf.</em> has become an experiment in alternative communities and economies. Similarly, my work subverts discriminatory conventions and hierarchies by exploring alternative forms of presentation and interaction.
div#mc_embed_signup
br
form#mc-embedded-subscribe-form.validate(action='//unboundedpress.us12.list-manage.com/subscribe/post?u=bdadd25738fedf704641f3a80&amp;id=01c5761ebb', method='post', name='mc-embedded-subscribe-form', target='_blank', novalidate='')

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